Photographic film
Dan Tobias (Talk | contribs) (→References) |
Dan Tobias (Talk | contribs) |
||
| Line 13: | Line 13: | ||
Photographic film is encountered in still formats (typically, a single image) and movie formats (strips of film transparencies with numerous sequential images designed for the projection of moving pictures). Some movie formats designed for exhibition also encode audio data (soundtracks) on film alongside the sequential images. Other movie formats were intended for exhibition with simultaneous audio provided by a synchronized separate recording. There were also "silent movies" which had no audio, but typically a musician such as a piano player performed while the film was played. | Photographic film is encountered in still formats (typically, a single image) and movie formats (strips of film transparencies with numerous sequential images designed for the projection of moving pictures). Some movie formats designed for exhibition also encode audio data (soundtracks) on film alongside the sequential images. Other movie formats were intended for exhibition with simultaneous audio provided by a synchronized separate recording. There were also "silent movies" which had no audio, but typically a musician such as a piano player performed while the film was played. | ||
| + | |||
| + | Several development processes have been used for photographic film, and particular types of film will generally require specific processes. C41 is a common process for modern film, but motion picture film is usually developed with ECN-2 (or ECN-1 if it's really old, like 1950s or earlier). [[Kodachrome]] had a proprietary process that is no longer available. | ||
== Still-picture negative formats == | == Still-picture negative formats == | ||
Revision as of 01:29, 29 June 2019
Photographic film was a popular medium for photography throughout the 20th century, replacing earlier forms of photography using plates which held a single image (which go back to the mid 19th century), and rapidly losing ground to digital photography in the early part of the 21st century.
Film starts out in unexposed form, ready to be used to take pictures, and stored in a casing which keeps out light, since any exposure to light outside the controlled exposure through a camera lens will ruin the film, which is highly sensitive to light. The camera pulls the film from its case onto a reel, placing the film one frame at a time in a position to be exposed to an image from the camera lens when the shutter button is pushed. When all the film has been used to take pictures, it is rewound back into its casing where it can be removed from the camera without exposing it to light, since it is still sensitive at this point. It must then be developed using a chemical process in a darkroom (so named because it is not lit, except by special lights using wavelengths the film is not sensitive to). Once the developing is finished, the film is no longer light-sensitive and can be stored and viewed under normal light.
Exposed and developed photographic film may be encountered as a file format either in negative -- a color-reversed state from which prints may be produced on photographic paper -- or as a transparency that can be viewed directly (with the naked eye, or more typically, with backlighting and magnification) or projected with a projector. The primary identification of photographic film formats is by size. Additional distinctions include black-and-white vs. color, as well as film speed (how sensitive it is to light, affecting how long of an exposure is needed to get a usable image).
Photographic film is encountered in still formats (typically, a single image) and movie formats (strips of film transparencies with numerous sequential images designed for the projection of moving pictures). Some movie formats designed for exhibition also encode audio data (soundtracks) on film alongside the sequential images. Other movie formats were intended for exhibition with simultaneous audio provided by a synchronized separate recording. There were also "silent movies" which had no audio, but typically a musician such as a piano player performed while the film was played.
Several development processes have been used for photographic film, and particular types of film will generally require specific processes. C41 is a common process for modern film, but motion picture film is usually developed with ECN-2 (or ECN-1 if it's really old, like 1950s or earlier). Kodachrome had a proprietary process that is no longer available.
Contents |
Still-picture negative formats
- 110 film
- 120 film (and 220)
- 126 film
- 127 film
- 35 mm negatives (135)
- Sheet film
- Disc film
Slide formats
Instant formats
Filmstrip formats
Movie formats
Film technologies
References
- Photographic film at Wikipedia
- Sound film at Wikipedia
- Death of film
- 100 ideas that changed photography
- Pinhole camera created with 3D printer
- 100 history-making cameras on a poster
- Kodak ending acetate base manufacturing
- Picture: film canisters
- The history of aspect ratios (mostly in 35 and 70 mm movie film)
- Library of Congress: 75% of Silent Films Lost
- 100-year-old negatives discovered in Antarctic ice
- Actual costs of film (for movies)
- Man Buys 10.000 Undeveloped Negatives At a Local Auction and Discovers One of The Most Important Street Photographers of the Mid 20th Century
- 100-Year-Old Negatives Discovered in Block of Ice in Antarctica
- Vermeer's paintings might be 350 year-old color photographs
- Craft brewery partners with Kodak to create a beer that doubles as film developer
